
Giacomo Serpotta (1656 – 1732), “Fortitude” 1710 – 17 White stucco and gilding, height 200 cm
Oratorio del Rosario di San Domenico, Palermo
She’s Selfie ready. Dressed for the life she wants,
wearing her favourite high-heeled shoes,
breastplate bodice and plumed headdress,
a young woman leans her elbow on the pillar of patience.
She’s overacting nonchalance a bit, perhaps,
but we must review her bravado performance in the context of war,
pestilence, fire and flood while all she loves is being destroyed.
She quietly points her finger at oppressors everywhere.
In a great classical tradition, this stylishly dressed warrior
poses like “Patience on a monument, smiling at grief”.
She never gives up.
She’s made of stucco, cement plaster,
which is more lightweight and flexible than stone.
She makes no apology for her beauty or her fashion choices.
She’s feminine and cute and she’s not a victim.
Tyrants and misogynists (can you be one without being the other?) will never defeat her.
She’s got a strategy.
Her gaze is fixed on the longest battle.
She doesn’t like what she sees, but she will never give in;
she will never betray her brand by going into denial or accepting defeat.
When other people make snarky remarks about her
posing in a Rococo niche,
wearing non-sensible FU shoes,
she knows her footwear is empowering and enviable,
ridiculous and gorgeous, feminist and irrepressibly feminine.
She exemplifies the moral courage of sticking to her post
“because it is noble to do so, or because it is disgraceful not to do so.”
(Aristotle talking about warfare.)
She is Fortitude.
We should all follow her example by helping Ukraine win and defending innocent victims of dictators everywhere.